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1960s FREE LOVE
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free love from late 1940s to 1960s »
Free love from late 1940s to the 1960s
From the late 1940s to the 1960s, the bohemian free love tradition of Greenwich Village was carried on by the beat generation, although differing with their predecessors by being an apparently male-dominated movement. The Beats also produced the first appearance of male homosexual champions of free love in the U.S., with writers such as Allen Ginsberg and William S. Burroughs. Like some of those before, the beats challenged a range of social conventions, and they found inspiration in such aspects of black culture as jazz music. The Beat movement led on the West Coast to the activities of such groups as the Merry Pranksters (led, according to Grateful Dead historian Dennis McNally, not by novelist Ken Kesey, but by hipster and driver Neal Cassady) and the entire San Francisco pop music scene, in which the implications of sexual bohemianism were advanced in a variety of ways by the hippies. With the Summer of Love in 1967, the eccentricities of this group became a nationally recognized movement. The study of sexology continued to gain prominence throughout the era, with the works of researchers like Alfred Kinsey lending a new legitimacy to challenges to traditional values regarding sex and marriage.sexleketøy
The sexual revolution and beyond.
Free love became a prominent phrase used by and about the new social movements and counterculture of the 1960s and 1970s, typified by the Summer of Love in 1967 and the slogan "make love not war". Unrestrained sexuality became a new norm in some of these youth movements, leading certain feminists to critique the 60s/70s "free love" as a way for men to pressure women into sex; women who said "no" could be characterized as prudish and uptight.sexleketøy
In the 1980s, concerns over AIDS and other sexually transmitted diseases tempered the promiscuity of the 1970s, but many of the sexual reforms advocated by earlier free-love movements had become mainstream: legalisation of abortion, birth control, and homosexuality; freedom in choosing love, sex, or both; and women's rights in general. Chastity, virginity, and subservience in marriage had much less power as social ideals for women.
Modern descendants of free love could be seen to include the contemporary sex-positive, polyamory, and queer movements and figures such as Susie Bright, Patrick Califia, and Annie Sprinkle. Though they don't often identify as free lovers, modern movements around the world against arranged marriage and forced marriage in South Asia, the Middle East, Africa, and Eastern Europe share many of the same goals as the free-love movement.
Legal aspects of the fruit of free love are far from settled. Some gains in the women's rights movement have reversed, rather than corrected, the injustices of the past. For example, an unwed father has no right to see his child in the State of New York. American composer Max Schubel found himself in this category, and wrote the New York theater piece Rubber Court to bring wider attention to the problem www.xn--sex-lekety-8cb.no/
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free love from late 1940s to the 1960s
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